We are going to raise the level of erudition of this blog speaking about a topic of intellectual soaked high place as it is the festival of the European song.
Let's remember that, after going sending to Eurovision truño after truño since the memory reaches me, last year RTVE gave the opportunity to the subjects of the Kingdom of Spain to decide to whom to send to the covered with dandruff contest.
As it happens in the legislative elections, the subjects voted for the most part for who it was indicated them that they should vote from the big companies of communication. The proposed option, Roberto Chikilicuatre, was original and graceful. Spanish television, conscious with which to take it to Eurovision might mark a few historical ratings, leveled the area so that it was taking to effect.
Certainly that this angered very much a few beings of human appearance known as “the eurofans”, thing that made happy enormously a servant, who has suspecting for time that “the eurofans” are not but monsters foreign to the Xenu service.
This has a big transcendency: to eliminate Karmele is so much how ilegalizar the candidacies of the PPSOE. Now the subjects are nervous, have more freedom than they can manage and do not know what to do with her.
Subjects of the Kingdom of Spain, do not worry, that here we are, from the rearguard of the proletariat, to organize an answer: vote to The Red Nipple.
Why? So because of the five most adopted candidates who stay after the big purge, there is three triunfitos of the villains (cost the redundancy) and a girl that I do not know who is but whose song is a truño that evokes us to other previous truños eurovisivos like those of “They Are of the Sun”, “Lydia“ or “Marcos Llunas“.
That of Red Nipple is entertained, originally and it allows to be listened. With her we will not gain Eurovision, but not desire that we have of doing it.
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